So seriously, I made a little online tour of the rep cinema’s last night to see what’s on offer this weekend, and felt very disappointed that I can’t go out to a silent film screening this week. The Toronto Silent Film Festival spoiled me! It might just be me and the dvds this weekend, folks. Despite my many silent film screenings this week, I still made time to scour the interwebs for you, dear readers. First, I want to say that over the week I collected a ton of links from The Cinementals and then I thought I should just tell you to follow The Cinementals. They’re doing an awesome job! Now, let’s get down to it. Here’s the best and the brightest the interwebs had to offer this week. Happy reading and happy viewing! Read the rest of this entry
Wowee – is my feets sore from doing the Charleston with Joan Crawford in Our Dancing Daughters! Last night was the opening night of the Toronto Silent Film Festival and fabulous it was. But despite sipping bathtub gin til the wee hours of the morn, this jazz baby is hard at work this morning to bring you the best of the interwebs. That’s dedication my friends! Stay tuned for my review of Our Dancing Daughters and in the meantime you can amuse yourself with these links. And of course, leave some time to get yourself tickets to tonight’s screening of F.W. Murnau’s Tabu! Happy reading and happy viewing! Read the rest of this entry
Who doesn’t want to jump on the exciting Melies revival bandwagon? No one, that who’s, and I count myself in those ranks. Here’s a Melies primer I wrote for The Toronto Film Scene.
French cinema pioneer Georges Méliès is having a moment. Martin Scorsese’s recent 3D release Hugo pays homage Méliès. The electro-pop duo Air just announced the release of a new album, La Voyage Dans La Lune, inspired by Méliès. The title not only refers to Méliès’s most famous film, but a limited edition of the album will be co-packaged with the movie. And, of course, a production still from that same film, a very annoyed moon with a rocket ship embedded in its eye, remains the most iconic image of the silent era, gracing t-shirts, coffee mugs, and the covers of countless film studies books. Click to read the rest of the piece at TFS.